Boston Baroque
Boston Baroque is the oldest permanent period instrument orchestra in North America. It was founded in 1973 by the American harpsichordist and conductor, Martin Pearlman, to present concerts of the Baroque and Classical repertoire on period instruments, drawing on the insights of the historical performance movement.
The Boston Baroque professional chamber chorus was established as an integral part of the ensemble in 1981.
With Pearlman as its music director, the ensemble presented an annual subscription concert series in Greater Boston, Massachusetts; performed on tour in Carnegie Hall, Chicago's Shubert Theatre, Los Angeles's Disney Hall, at the Ravinia and Tanglewood festivals, and toured internationally. Pearlman retired as music director at the end of the 2024-25 season. The French conductor, Marc Minkowski, was appointed the new music director of Boston Baroque in April 2026 and will take over leadership in the 2026-2027 season.
The orchestra, originally named "Banchetto Musicale", was renamed Boston Baroque in 1992, when Telarc Records, in its first commitment to a period-instrument orchestra, signed the ensemble to produce a series of recordings of major Baroque and Classical repertoire for international commercial distribution. In 2012, Boston Baroque became the first American orchestra to record with the highly-regarded UK audiophile label, Linn Records. Boston Baroque’s 26 acclaimed commercial recordings are frequently heard by millions on classical radio stations in North America and Europe, as well as on Boston Baroque Radio, Boston Baroque’s streaming channel. Boston Baroque’s recordings have received six GRAMMY® Award Nominations: its 1992 release of Handel’s Messiah, 1998 release of Monteverdi’s Vespers of 1610, 2000 release of Bach’s Mass in B Minor, 2014 release of Monteverdi’s Il Ritorno d’Ulisse in patria (two nominations), and 2017 release of Biber’s Mystery Sonatas.
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The Impresario, K. 486: Overture - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Impresario, K. 486: Da schlägt die Abschiedsstunde - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Impresario, K. 486: Rondo. Bester Jüngling! - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Impresario, K. 486: Trio. Ich bin die erste Sängerin! - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Impresario, K. 486: Vaudeville. Jeder Künstler strebt nach Ehre - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish: Sinfonia - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act I: Duet. Hier müssen wir uns beide trennen - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act I: Aria. Welche nie empfund'ne Freude - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act I: Duet. Liebes Weib - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act I: Aria. Der Drache ist den armen Männern gut - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act I: Chorus. O Abdallah - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act I: March - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act II: Chorus. Die Männer zu fesseln - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act II: Wind Music - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act II: Aria. Sofrano, fühltest du mein Leiden - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act II: March - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act II: Ballad. Ein Jüngling frisch wie Milch - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act II: The Sea Battle - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act III: So bald der Mann ist allzu Gut - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act III: Duet. Ach, die Teure liebet mich! - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act III: Recitative. Sofrano! Mein Sohn! - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act III: Chorus. Vino pani - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act III: Duet. Daß Männer unsre Sklaven sind - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act III: Aria. Bald wird auch dieser Traum - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act III: Duet. Wir sind die zwei lustigen Bauern vom Land - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
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The Beneficent Dervish, Act III: Final Chorus. Ihr Undankbaren lebet wohl - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
Boston Baroque
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