Hughes De Courson
-
Ikhtitaf fi Assaraya (After the Overture from "Die Entführung aus dem Serail", K. 384) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
O'stravaganza (After Vivaldi's Sinfonia, RV 168) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Al Sahm al Taéh (After Mozart's "Soave sia il vento" from Così fan tutte, K. 588) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Sankanda (traditionnel arr. P Akendengué) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Concerto for Oud & Piano (After the Second Movement from Piano Concerto No. 23 in A Major, K. 488) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
A Chlàrsioch (After Vivaldi's In furore iustissimae irae, RV 626) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Ya Shady Symphony (After Mozart's Symphony No. 40, K. 550) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Pepa Nzac Gnon Ma (traditionnel arr. P. Akendengué): Prélude de la Partitia pour violon no3 - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Yaman Hawa (After the Overture from "Thamos, König in Aegypten", K. 345) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Ceol Cuàine (Dances of the Wolves) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
La reine des mille et une nuits (After Mozart's The Magic Flute, K. 620) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Cantate 147 - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Symphonie égyptienne (After the Symphony No. 25 in G Minor, K. 183) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Eirin Sonata (After Vivaldi's Cello Concerto, RV 407) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Layla Misriya (After Mozart's Serenade No. 13, K. 525 "A Little Night Music") - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Mayingo (traditionnel arr. P. Akendengue): Fugue sur Mayingo (T. Gubitsch) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Mahdiyat (After Flies's "Wiegenlied", Formerly Attributed to Mozart as K. 350) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Estro-Reel (After Vivaldi's Violin Concerto, Op. 3 No. 3, RV 310) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
La querelle au sérail (After Mozart's "Marten aller Arten" from The Abduction from the Seraglio, K. 384) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Was Mir Behagt, Ist Nur Die Muntre Jagd (Chorus "La Chasse" - J.S.Bach arr. P. Akendengué et H. de Courson) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Hamilu Lhawa Tahibou (After Papageno's Aria from "The Magic Flute", K. 620) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Damhsaigh (After Vivaldi's Lute Concerto, RV 93) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Marche égyptienne (After Mozart's Piano Sonata, K. 331 "Alla turca") - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Agnus Dei (Messe en si BWV 232 - arr. P. Akendengué) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Double Quartet in E-Flat Major (After the Variations on "Hélas j'ai perdu mon amant", K. 360) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Il sonno (After Vivaldi's Flute Concerto, RV 439 "La notte" and Concerto for Two Violins, Op. 3 No. 2, RV 578) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Al Bedaya - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Inongo (traditionnel arr. P. Akendengué et H. de Courson): Invention à trois voix No3 en ré majeur BWV 789 - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Double Quartet in F Major (After the Piano Trio No. 2 in G Major, K. 496) - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
La ciaconna rossa - Classics Reframed - Bach, Vivaldi & Mozart -
Hughes De Courson
-
Al Bedaya - Mozart l'Égyptien 2 -
Hughes De Courson
-
Mozart l'Égyptien (After Mozart's Così fan tutte, K. 588) - Mozart l'Égyptien 2 -
Hughes De Courson
-
Al Sahm al Taéh (After Mozart's "Soave sia il vento" from Così fan tutte, K. 588) - Mozart l'Égyptien 2 -
Hughes De Courson
-
Alatul Concerto pour kaval et flûte (After Mozart's Flute Concerto No. 2, K. 314) - Mozart l'Égyptien 2 -
Hughes De Courson
-
Al Sahara (After Mozart's Fantasie in D Minor, K. 397) - Mozart l'Égyptien 2 -
Hughes De Courson
-
Al Maghfera (After Mozart's "Qui tollis" from Mass in C Minor, K. 427) - Mozart l'Égyptien 2 -
Hughes De Courson
-
Ninna Nam - Mozart l'Égyptien 2 -
Hughes De Courson
-
Al Raqs (After Mozart's Symphony No. 40, K. 550) - Mozart l'Égyptien 2 -
Hughes De Courson
-
Ya Shady Symphony (After Mozart's Symphony No. 40, K. 550) - Mozart l'Égyptien 2 -
Hughes De Courson
-
Le quintette d'Alexandrie (After Mozart's Clarinet Quintet, K. 581) - Mozart l'Égyptien 2 -
Hughes De Courson
-
La reine des mille et une nuits (After Mozart's The Magic Flute, K. 620) - Mozart l'Égyptien 2 -
Hughes De Courson
-
Marche égyptienne (After Mozart's Piano Sonata, K. 331 "Alla turca") - Mozart l'Égyptien 2 -
Hughes De Courson
-
Layla Misriya (After Mozart's Serenade No. 13, K. 525 "A Little Night Music") - Mozart l'Égyptien 2 -
Hughes De Courson
-
La querelle au sérail (After Mozart's "Marten aller Arten" from The Abduction from the Seraglio, K. 384) - Mozart l'Égyptien 2 -
Hughes De Courson
-
Prière nubienne - Mozart l'Égyptien 2 -
Hughes De Courson
-
O'stravaganza (After Vivaldi's Sinfonia, RV 168) - O'stravaganza, Fantasy on Vivaldi and the Celtic Music of Ireland -
Hughes De Courson
-
Damhsaigh (After Vivaldi's Lute Concerto, RV 93) - O'stravaganza, Fantasy on Vivaldi and the Celtic Music of Ireland -
Hughes De Courson
-
Berceuse de Gráinne pour Diarmait (After Vivaldi's Nisi Dominus, RV 608) - O'stravaganza, Fantasy on Vivaldi and the Celtic Music of Ireland -
Hughes De Courson
-
Estro-Reel (After Vivaldi's Violin Concerto, Op. 3 No. 3, RV 310) - O'stravaganza, Fantasy on Vivaldi and the Celtic Music of Ireland -
Hughes De Courson
-
Il sonno (After Vivaldi's Flute Concerto, RV 439 "La notte" and Concerto for Two Violins, Op. 3 No. 2, RV 578) - O'stravaganza, Fantasy on Vivaldi and the Celtic Music of Ireland -
Hughes De Courson
-
Ceol Cuàine (Dances of the Wolves) - O'stravaganza, Fantasy on Vivaldi and the Celtic Music of Ireland -
Hughes De Courson
-
Il duello (After Vivaldi's Concerto for Two Violins and Cello, Op. 3 No. 11, RV 565 and Violin Concerto Op. 8 No. 5, RV 253 "La tempesta di mare") - O'stravaganza, Fantasy on Vivaldi and the Celtic Music of Ireland -
Hughes De Courson
-
A Chlàrsioch (After Vivaldi's In furore iustissimae irae, RV 626) - O'stravaganza, Fantasy on Vivaldi and the Celtic Music of Ireland -
Hughes De Courson
-
Jig della inquietudine (After Vivaldi's Violin Concerto, RV 234 "L'inquietudine") - O'stravaganza, Fantasy on Vivaldi and the Celtic Music of Ireland -
Hughes De Courson
-
Eirin Sonata (After Vivaldi's Cello Concerto, RV 407) - O'stravaganza, Fantasy on Vivaldi and the Celtic Music of Ireland -
Hughes De Courson
-
Bunch of Rushes - O'stravaganza, Fantasy on Vivaldi and the Celtic Music of Ireland -
Hughes De Courson
-
Am Cain (After Vivaldi's Oboe Concerto, RV 452) - O'stravaganza, Fantasy on Vivaldi and the Celtic Music of Ireland -
Hughes De Courson
-
Mister Bethag and the Princess (After Vivaldi's Sinfonia, RV149) - O'stravaganza, Fantasy on Vivaldi and the Celtic Music of Ireland -
Hughes De Courson
-
La ciaconna rossa - O'stravaganza, Fantasy on Vivaldi and the Celtic Music of Ireland -
Hughes De Courson
-
Ikhtitaf fi Assaraya (After the Overture from "Die Entführung aus dem Serail", K. 384) - Mozart im Orient -
Hughes De Courson
-
Double Quartet in F Major (After the Piano Trio No. 2 in G Major, K. 496) - Mozart im Orient -
Hughes De Courson
-
Lamma Bada Yatathanna (After the First Movement from Symphony No. 40 in G Minor, K. 550) - Mozart im Orient -
Hughes De Courson
-
Mahdiyat (After Flies's "Wiegenlied", Formerly Attributed to Mozart as K. 350) - Mozart im Orient -
Hughes De Courson
-
Concerto for Oud & Piano (After the Second Movement from Piano Concerto No. 23 in A Major, K. 488) - Mozart im Orient -
Hughes De Courson
-
Hamilu Lhawa Tahibou (After Papageno's Aria from "The Magic Flute", K. 620) - Mozart im Orient -
Hughes De Courson
-
Yaman Hawa (After the Overture from "Thamos, König in Aegypten", K. 345) - Mozart im Orient -
Hughes De Courson
-
Mawwall - Mozart im Orient -
Hughes De Courson
-
Double Quartet in E-Flat Major (After the Variations on "Hélas j'ai perdu mon amant", K. 360) - Mozart im Orient -
Hughes De Courson
-
Ouazat Al Kahira (After Auretta's Aria from "L'oca del Cairo", K. 422) - Mozart im Orient -
Hughes De Courson
-
Symphonie égyptienne (After the Symphony No. 25 in G Minor, K. 183) - Mozart im Orient -
Hughes De Courson
-
Dhikr / Requiem / Golgotha (After the Introitus from the Requiem in D Minor, K. 626) - Mozart im Orient -
Hughes De Courson
-
Trad: Al Riyah - Concerto for Kaval & Clarinet - Mozart im Orient -
Hughes De Courson
Decodex
- 1997-01-01T00:00:00.000000Z
Babel
- 2008-06-30T00:00:00.000000Z
-
Al Sahm al Taéh (After Mozart's "Soave sia il vento" from Così fan tutte, K. 588) - Babel -
Hughes De Courson
-
Sankanda - Lasset uns den nicht zerteilen - Babel -
Hughes De Courson
-
Toma que toma - Babel -
Hughes De Courson
-
Il sonno (After Vivaldi's Flute Concerto, RV 439 "La notte" and Concerto for Two Violins, Op. 3 No. 2, RV 578) - Babel -
Hughes De Courson
-
Stella Splendens - Babel -
Hughes De Courson
-
Ya Shady Symphony (After Mozart's Symphony No. 40, K. 550) - Babel -
Hughes De Courson
-
Romero santo - Babel -
Hughes De Courson
-
Kuteva - Babel -
Hughes De Courson
-
Concerto for Oud & Piano (After the Second Movement from Piano Concerto No. 23 in A Major, K. 488) - Babel -
Hughes De Courson
-
Herr, Unser Herrscher - Babel -
Hughes De Courson
-
El Vuelo - Babel -
Hughes De Courson
-
Ikhtitaf fi Assaraya (After the Overture from "Die Entführung aus dem Serail", K. 384) - Babel -
Hughes De Courson
-
O'stravaganza (After Vivaldi's Sinfonia, RV 168) - Babel -
Hughes De Courson
-
Loyauté - Babel -
Hughes De Courson
-
Alatul Concerto pour kaval et flûte (After Mozart's Flute Concerto No. 2, K. 314) - Babel -
Hughes De Courson
-
La reine des mille et une nuits (After Mozart's The Magic Flute, K. 620) - Babel -
Hughes De Courson
-
Il duello (After Vivaldi's Concerto for Two Violins and Cello, Op. 3 No. 11, RV 565 and Violin Concerto Op. 8 No. 5, RV 253 "La tempesta di mare") - Babel -
Hughes De Courson
-
Qui n'aroit autre deport - Babel -
Hughes De Courson
-
Barisokhanda - Babel -
Hughes De Courson
-
Bombé/Ruht Wohl Ihr Heiligen Gebeine - Babel -
Hughes De Courson
-
Muort' oramai - Babel -
Hughes De Courson
-
Trad: Al Riyah - Concerto for Kaval & Clarinet - Babel -
Hughes De Courson
-
Tana shaot lein - Babel -
Hughes De Courson
-
Alle. - Babel -
Hughes De Courson
-
Yaman Hawa (After the Overture from "Thamos, König in Aegypten", K. 345) - Babel -
Hughes De Courson
-
La Bigoudine - Babel -
Hughes De Courson
-
Ceol Cuàine (Dances of the Wolves) - Babel -
Hughes De Courson
-
Dhikr / Requiem / Golgotha (After the Introitus from the Requiem in D Minor, K. 626) - Babel -
Hughes De Courson
-
Ikhtitaf fi Assaraya (After the Overture from "Die Entführung aus dem Serail", K. 384) - Mozart L'Egyptien -
Hughes De Courson
-
Double Quartet in F Major (After the Piano Trio No. 2 in G Major, K. 496) - Mozart L'Egyptien -
Hughes De Courson
-
Lamma Bada Yatathanna (After the First Movement from Symphony No. 40 in G Minor, K. 550) - Mozart L'Egyptien -
Hughes De Courson
-
Mahdiyat (After Flies's "Wiegenlied", Formerly Attributed to Mozart as K. 350) - Mozart L'Egyptien -
Hughes De Courson
-
Concerto for Oud & Piano (After the Second Movement from Piano Concerto No. 23 in A Major, K. 488) - Mozart L'Egyptien -
Hughes De Courson
-
Hamilu Lhawa Tahibou (After Papageno's Aria from "The Magic Flute", K. 620) - Mozart L'Egyptien -
Hughes De Courson
-
Yaman Hawa (After the Overture from "Thamos, König in Aegypten", K. 345) - Mozart L'Egyptien -
Hughes De Courson
-
Mawwall - Mozart L'Egyptien -
Hughes De Courson
-
Double Quartet in E-Flat Major (After the Variations on "Hélas j'ai perdu mon amant", K. 360) - Mozart L'Egyptien -
Hughes De Courson
-
Ouazat Al Kahira (After Auretta's Aria from "L'oca del Cairo", K. 422) - Mozart L'Egyptien -
Hughes De Courson
-
Symphonie égyptienne (After the Symphony No. 25 in G Minor, K. 183) - Mozart L'Egyptien -
Hughes De Courson
-
Dhikr / Requiem / Golgotha (After the Introitus from the Requiem in D Minor, K. 626) - Mozart L'Egyptien -
Hughes De Courson
-
Ikhtitaf fi Assaraya (After the Overture from "Die Entführung aus dem Serail", K. 384) - Mozart in Egypt -
Hughes De Courson
-
Double Quartet in F Major (After the Piano Trio No. 2 in G Major, K. 496) - Mozart in Egypt -
Hughes De Courson
-
Lamma Bada Yatathanna (After the First Movement from Symphony No. 40 in G Minor, K. 550) - Mozart in Egypt -
Hughes De Courson
-
Mahdiyat (After Flies's "Wiegenlied", Formerly Attributed to Mozart as K. 350) - Mozart in Egypt -
Hughes De Courson
-
Concerto for Oud & Piano (After the Second Movement from Piano Concerto No. 23 in A Major, K. 488) - Mozart in Egypt -
Hughes De Courson
-
Hamilu Lhawa Tahibou (After Papageno's Aria from "The Magic Flute", K. 620) - Mozart in Egypt -
Hughes De Courson
-
Yaman Hawa (After the Overture from "Thamos, König in Aegypten", K. 345) - Mozart in Egypt -
Hughes De Courson
-
Mawwall - Mozart in Egypt -
Hughes De Courson
-
Double Quartet in E-Flat Major (After the Variations on "Hélas j'ai perdu mon amant", K. 360) - Mozart in Egypt -
Hughes De Courson
-
Ouazat Al Kahira (After Auretta's Aria from "L'oca del Cairo", K. 422) - Mozart in Egypt -
Hughes De Courson
-
Symphonie égyptienne (After the Symphony No. 25 in G Minor, K. 183) - Mozart in Egypt -
Hughes De Courson
-
Dhikr / Requiem / Golgotha (After the Introitus from the Requiem in D Minor, K. 626) - Mozart in Egypt -
Hughes De Courson
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